Jefe's House

City Paper Review of Boneyards

by on Sep.11, 2013, under The Press, The Sixth Boro, Theatre

Terrific review by Paulina Reso in the City Paper.  Ha, can’t argue with her about the final stage of the show.  I know from past experience that when you risk opening a scripted entertainment up to the chaos and randomness of a seance for a few minutes anything could happen — and sometimes very little.  Too bad she wasn’t there for the Ouija board fireworks last night.  And I’m not sure how switching  from talking to singing and playing a guitar before launching directly into more talking could be construed by anyone as a water break; that would truly be a supernatural feat. This show is wall to wall mouth, baby.  Read on…

Fringe review: Boneyards

By Paulina Reso
09/11/2013

WE THINK: With its penchant for the paranormal and its autobiographical focus, Jeffrey Stanley’s one-man show could come across as overly strange or egotistical, but his charisma and fascinating tales from the crypt kept it on track. Staged in a musty, 118-year-old cellar in Shivtei Yeshuron-Ezras Israel, a historic South Philly synagogue, the show began with Stanley performing George Jones’ country hit “He Stopped Loving Her Today,” which, his tender rendition revealed, is a lovelier song than I had originally thought. But we in the audience weren’t sitting in a damp cellar, squinting our light-deprived eyes at a barefooted man with a painted face to get a lesson in music appreciation. We were here for a taste of the macabre, and Stanley didn’t disappoint. CONT’D at citypaper.net>>

 

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