Sylvia Kauders

Dear Friends,

It’s my pleasure as a Plays & Players board member to invite you to the 3rd and final 100th anniversary reading and fundraiser next Monday 5/14 at 7pm.  All year long we’ve been presenting readings of plays that were performed at Plays & Players 100 years ago during its first season in 1911-12.

Blondell Reynolds Brown

This final reading is the most star-studded of them all.  The play is An Ideal Husband by Oscar Wilde, directed by Daniel Student, and features  features Sylvia Kauders (Witness, American Splendor, The Wrestler, Sex and the City, The Sopranos); Fox 29′s Good Day co-anchor Karen Hepp, City Councilwoman Blondell Reynolds Brown, Revenue Commissioner Keith Richardson, restaurateur Jack Roe, Barrymore Award winning actors Madi Distefano and Amanda Schoonover; Joe Turner’s Come and Gone‘s Kash Goins and Philadelphia’s Magic Gardens creator Isaiah Zagar among others.

Karen Hepp

This final reading and fundraiser kicks off our Next 100 Years campaign to renovate and restore our beautiful old building which is a National Historic Landmark. For the past six months the acclaimed nonprofit Community Design Collaborative has been working with Plays & Players to create a 10-Year Master Plan with recommendations on sustainability and accessibility under the direction of Philadelphia’s leading architectural firm Studio Agoos Lovera.  The May 14 reading will feature raffle drawings, a silent auction, and a chance to hear about the Master Plan.

Tickets: 
$50 VIP – Reading and Meet the Cast post-show reception from 9-10pm at Quig’s Pub

$25 – Reading

$10 – Reading artist/industry ticket

PURCHASE TICKETS ONLINE NOW

Antonio Meucci

In connection with my being a 2011-2012 PDC@Plays & Players Playwright-in-Residence, a reading of my unproduced play Fishing With Tony and Joe will be held at Plays & Players Theatre at 1714 Delancey Place (17th Street between Pine and Spruce) in Philadelphia on Tuesday, February 28th at 4pm in the 3rd floor Skinner Studio.  The event is FREE but seating is limited so please RSVP to Dan Student at dstudent@playsandplayers.org .

Meucci's teletrofono.

The play is an historical drama with a touch of magic realism about opera stagehand, exiled leftie and “back yard inventor” Antonio Meucci, an Italian immigrant who invented a working electric telephone at his Staten Island home some 20 years prior to Alexander Graham Bell.

The plot covers a year in the life of Meucci, his firebrand wife Esterre (Esther) and their house crashing friend Giuseppe Garibaldi, the famed Italian revolutionary.  A love triangle, corporate greed and the dawn of telecommunications ensue.

Garibaldi

This unproduced play was originally commissioned by the Alfred P. Sloan Foundation and the Ensemble Studio Theatre in New York, in 2005-06 (this same pairing by a science foundation and an Off-Broadway theatre  produced my hit play Tesla’s Letters in 1999).

The awesome cast includes Paul McElwee, Michelle Eugene, Mark Cairns, Mike Hagan and  Brendan Norton.  The reading will be directed by Josh Hitchens.

There will be a Q&A of this work-in-progress with the audience afterward and I would value your attendance and your input.  The event is FREE but seating is limited so please RSVP to Dan Student at dstudent@playsandplayers.org .

Virginia Dare; the first English child born in the New World.

On Tuesday 1/24/12 @ 4:00pm as part of my PDC@Plays&Players residency in Philly we’ll be presenting a rehearsed reading of my unproduced play Virginia Dare.  There’ll be a Q&A afterward and I’d dearly love your feedback on this work in development.

VIRGINIA DARE is a multidisciplinary, multicultural play; a 21st century Southern Gothic drama gone global.  Set in a not-too-difficult-to-imagine near future in which the US has boots on the ground not only in Iraq and Afghanistan but Pakistan and even India, the play is a high stakes tale. An Appalachian brother and sister plot patricide against a backdrop of perpetual war and cosmic collisions.  With a touch of magic realism and a

The Hindu mother goddess Durga rides into battle.

spike of Eastern religion, the plot focuses on two irreparably damaged working class siblings who are struggling to deal with memories of their violent childhood, a forgotten murder, an impending murder looming on the horizon, and even a trip to the afterlife.  Startling images and verbal sparring send them both hurtling toward a dark decision.

WHAT: Reading of Virginia Dare  featuring Pardon My Invasion actors Emily Gibson and Joe O’Brien, directed by Daniel Student

Eternally volatile and disputed Kashmir.

WHEN:  Tuesday 1/24, 4pm-6pm.

WHERE: Plays & Players, 3rd floor Skinner Studio; 1714 Delancey Place (in Center City), Philadelphia, PA.

[images via todayontoday.com, wisdomlaughterhealing.com and dismalworld.com]

Yes.

Pardon My Invasion

Through Nov. 19, $15-$20, Plays & Players Theatre, 1714 Delancey Place, Philadelphia

by Mark Cofta, City Paper

Smart and silly, Joy Cutler’s Pardon My Invasion receives an impeccable première by director Cara Blouin in Plays & Players’ 50-seat studio. Emily Gibson plays Penny, announcing, “There’s a man inside me.” Soon soldier Pvt. Mac takes over, requiring Gibson to play him trapped in a teen girl’s body, accomplished brilliantly. Pulp fiction writer mom Jennifer Summerfield copes not only with Penny’s boyfriend (Julian Cloud) and a curious cop (Theresa Leahy), but imaginary characters from her fiction and CONT’D AT CITYPAPER>>

Review: Pardon My Invasion

by Wendy Rosenfield, Philadelphia Inquirer

So here’s a real surprise: On the third floor of Plays and Players Theatre, there’s a world premiere by an under-the-radar local playwright — Joy Cutler — filled with amateur actors, directed by a relative newcomer. All outward signs indicate a hot mess; instead, it’s a blast.

Cutler’s oddball black comedy, Pardon My Invasion, features an AWOL Iraq war soldier hiding, Exorcist-style, inside the body of Penny, a 13-year-old American girl whose single mother Rita (Jennifer Summerfield) writes pulpy detective novels for a living. And that synopsis only covers the first few scenes.

Last season, director Cara Blouin created Dan Rottenberg Is Thinking About R@ping You, a sharp comedic, feminist response to the Broad Street Review editor’s article blaming CBS News reporter Lara Logan for her own sexual assault. Blouin’s the right woman for this job too, blowing up Cutler’s surreal take on sexual politics into Roy Lichtenstein territory with big, bright cartoons whose primary-colored confidence threatens to either saturate the mere mortals around them or smother them.

The Army, particularly tough-as-nails moustachioed Sarge (Joe O’Brien, who literally somersaults onto the stage and maintains that momentum throughout), teaches men to kill or be killed; Rita’s novels show women, particularly her main moll Honey Babe (an outrageously busty, lusty Angela Smith), as red-dressed, red-lipsticked carnal dynamos.

Meanwhile, Rita and Penny — along with that body snatcher, Pvt. Mack Jack (Emily Gibson, both vulnerable and hilarious in each role) — exist much further down the charisma spectrum, sorting through their own CONT’D AT PHILLY.COM>>

by Anna Pan, Philadelphia City Paper

If you were a private in the army and went AWOL in Iraq, where would you hide? In the body of a teenage girl, of course.

Plays & Players is presenting the world premiere of Joy Cutler’s Pardon My Invasion, an adult dark comedy about Private Malcolm Jack and his residency in 13-year-old Penny’s body. Penny’s mother tries to lure Jack out, and what follows is nothing but pure, rowdy fun.

Naturally, casting Penny/Private Jack was no easy feat. “This city [has] an amazing abundance of quality young female performers — but to find one that can be a 13-year-old girl going through puberty and a [twentysomething] male full of the bravado and the pain necessary to represent a soldier, well, it was no easy task,” says artistic director Daniel Student. “Emily Gibson has both the natural instinct to take on both of these characters.”

Plays & Players has been heralded in Philadelphia Magazine’s Best in Philly issue twice in a row, and this is the fourth year in a row the theater is featuring the world premiere of a local playwright. “It feels that each year we are able to stretch our CONT’D AT CITY PAPER>>

Dig the Om lapels.

Go, iTunes for showing the Concert for Bangladesh free this past weekend to celebrate the 40th anniversary of the concert held on August 1, 1971 at Madison Square Garden in New York.  I’ve had the triple album on vinyl for years but had never seen the movie.

Highlights include George Harrison having to explain up front what a sitar is, and for the audience to behave during the Indian music part led by Ravi Shankar, Ali Akbar Khan and Alla Rakha. Just shows how culturally far the US has come musically since 1971.  Today instruments like the sitar and the sarod are commonplace in American rock and folk music.

Then there are the ubiquitous Coke cans (I’m guessing Coke donated refreshments backstage or footed part of the bill for the MSG rental?). It’s hard to believe the product placement is accidental. Billy Preston’s seen with one just before hopping up from his keyboard to go into a dance frenzy (must have been the caffeine), then Leon Russell’s seen with one at his keyboard just before belting Jumpin’ Jack Flash.  There are just these Coke cans sitting around on the stage everywhere that get nicely framed by the cameras when they go in for closeups of the artists.

Also amazing is how many of them are smoking (tobacco) cigarettes. Today they’d probably have to hide that from the cameras to keep the film from getting an NC-17 rating.

Eric Clapton is humble as usual.  For the most part the musical performances aren’t stellar (the simplest and most polished-sounding was George and Eric’s duet on Here Comes the Sun) but that wasn’t the point.  The concert was quickly thrown together and they all did it for free to raise money to aid the grim humanitarian crisis in Bangladesh brought about by their war to break away from Pakistan (who can blame them?) and by the world’s largest tropical cyclone hitting them at the worst possible time.

If you download the concert (the album, not the movie) from iTunes they’ll make a donation to the George Harrison Fund for UNICEF.  Or just go to concertforbangladesh.com and donate any amount there. For the month of August all funds raised will go toward famine relief in the Horn of Africa. That’s the famine in Somalia you’ve been seeing on the TV news every night for days.  Why not chip in a little and help them out?  It’s what George and Ravi and Eric and Billy and Leon and Ringo Starr and Bob Dylan and Badfinger would want you to do.

[image via concertforbangladesh.com]

Breaking News Alert
The New York Times
Wed, May 04, 2011 — 7:00 AM ET
—–

New York Times/CBS Poll Finds Rise in Obama’s Poll Numbers After Santa Claus Raid

Support for President Obama has risen sharply following the killing of Santa Claus by American military forces in Pakistan, with a majority now approving of his overall job performance, as well as his handling of foreign policy, the war in Afghanistan and the threat of terrorism, according to the latest New York Times/CBS News poll.

The glow of national pride seemed to rise above partisan politics, as support for the president rose significantly among both Republicans and independents. In all, 57 percent said they now approved of the president’s job performance, up from 46 percent last month.

Read More.

[image via freakingnews.com]

Now we know why they stressed right off the bat that Santa Claus had been “shot in the head.” It’s so they can never be obligated to show clean and clear proof that they actually killed him last week (because anyone can tell you that Santa Claus, if he ever existed, was killed years ago).  And wasn’t he diabetic?  Yet no dialysis machines turned up at the compound.  Strange.  The convenient “shot in the head” excuse was backed up today when the White House also informed us that he was “shot above the left eye” and that part of his skull had been “blown away,” making any facial recognition impossible and precluding the need to release a photo. Except perhaps a snapshot sooner or later where he’s conveniently unrecognizable and we’ll just have to take their word for it.

Perfect. Although there’s a nice photo floating around anyway. Only problem is,  it’s a fake that’s been floating around for months.  No matter; whatever else does get released will also be a fake.

We also learned when the story first broke that “a woman” had been killed.  Compare this to the extensive coverage of the death of Qaddafi’s sons and grandchildren last week — we got names, ages, full journalistic access to the compound. Even the death of Saddam Hussein’s (you know,  Santa Claus’ supposed partner in criminal masterminding) sons deaths were given full coverage and proof. Wouldn’t that also have been inflammatory and encourage retaliation from Santa’s elves?  Ditto the execution of Saddam himself; and note that Saddam was buried in his hometown and, lo and behold, his grave hasn’t become a “shrine for terrorists.”  But Santa Claus is different, I guess.

And if they’re so excited with the “mother lode” of data they brought out of Santa’s compound, why on earth would they instantly kill, rather than apprehend, a high value target like Kris Kringle? Not even a brief trip to a black ops site for a little waterboarding to find out exactly what the criminal genius knew and might have been planning?

But alas, everyone from Fox News to PBS are going straight to the CIA, and only the CIA, to find out what happened. That’s like interviewing the fox to find out what exactly went on in the henhouse.  Then there’s CIA Director Panetta on PBS tonight talking about his access to the “real-time video feed” of the events at Santa’s compound, while Obama in the White House also watched a real-time feed. But –aw, dang– neither of them saw the real-time moment when Père Noël was killed because that part didn’t get transmitted. In other words there are no eyewitnesses available to describe exactly what happened.

Obama 2012 by a landslide. Remember I predicted it here first.

[images via astalo.deviantart.com and prisonplanet.com]