My Experiences in India

Now it can be told. I’m so thrilled to have been named a Fulbright-Nehru Scholar, and will be spending 5 months of the 2018-19 academic year writing and researching in India. If you’d like to learn more about my intended goals, the full scoop is here in this handy dandy pdf of the press release.

As a Fulbright‐Nehru Fellow I will to travel to Kolkata, West Bengal, India to conduct research from my host institution, Rabindra Bharati University, where I will research early 20th century Bengali film and theatre and its impact on India’s nascent independence movement. I will also spend time in Bangalore, Karnataka, India observing the Bangalore Little Theatre’s (affectionately known as BLT) theatre education program and teaching a playwriting workshop to BLT members.

I’m proud to be one of over 800 U.S. citizens who will teach, conduct research, and/or provide expertise abroad for the 2018‐2019 academic year through the Fulbright U.S. Scholar Program.

Recipients of Fulbright awards are selected on the basis of academic and professional achievement as well as record of service and demonstrated leadership in their respective fields. The Fulbright Program is the flagship international educational exchange program sponsored by the U.S. government and is designed to build lasting connections between the people of the United States and the people of other countries.

The Fulbright Program is funded through an annual appropriation made by the U.S. Congress to the U.S. Department of State. Participating governments and host institutions, corporations, and foundations around the world also provide direct and indirect support to the Program, which operates in over 160 countries.

Mine is not an official US Department of State website. The views and information presented are my own and do not represent the Fulbright Program or the Department of State.

A Shaheb’s Guide to India

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I realize there are numerous examples of horrific cruelty in our history — the Middle Passage and Concentration Camps always come to mind first and foremost — but here’s one more. We might want to call such crimes unspeakable but they need to be spoken.

Look up Reginald Edward Harry Dyer for the full scoop. The thousands of citizens, including entire families, who gathered were attempting a Gandhian peaceful protest and also during a religious festival when the city of Amritsar was packed. This is just down the hill from the Sikhs’ Golden Temple.

The protest was on rented private property in a back alley courtyard. Dyer had stupidly issued a Jim Crow-like order barring Indians from congregating in groups of 6 or more (in their own country) and decided to make an example of this particular group that included children.  British sources gave a figure of 379 killed with 1,100 wounded. The Indian National Congress counted more than 1000 dead and 1500 injured. 

“People were fired at from here.”

Churchill later called it a “monstrous” and UnBritish act. Dyer was also all about half-naked public floggings of private citizens and his soldiers fond of stopping pedestrians and making them slither down the street like worms at gunpoint. The British parliament viewed Dyer as a hero. By the way, it’s reenacted in the movie Gandhi as one of the watershed moments leading up to the widespread popularity of the independence movement.

Martyrs Well.

“To escape the deadly firing, many people fell into this well. About 120 dead bodies were recovered from it.”

MLK

“Cowardice asks the question, ‘Is it safe?’ Expediency asks the question, “Is it politic?” Vanity asks the question, “Is it popular?” But, conscience asks the question, “Is it right?” And there comes a time when one must take a position that is neither safe, nor politic, nor popular but one must take it because one’s conscience tells one that it is right.”

– Rev. Dr. Martin Luther King, Jr.

A fair question and an honest article and my honest, if not entirely fair, response…

Why are 22 of the 24 new Amtrak writing residents white?

This year, a majority of those selected members are white, and many creatives aren’t happy about it.

Amtrak writes that “the residents offer a diverse representation of the writing community and hail from across the country.” There certainly is some representation of different backgrounds—lots of women, some LGBT writers, and some disabled writers, too. However, 22 of the 24 selected are white, and there is not a single black writer…

Residency judge Jeffrey Stanley provided the Daily Dot with a little more insight into the process.  CONT’D at Daily Dot>>

PS – Here’s the full text of my response:

Hi Jaya, I can only speak for myself as an individual judge. Indeed when I saw the photos of the winners yesterday for the first time when they were announced my heart sank. As you’ve said it’s diverse in so many other ways but there are no black faces. Obviously this wasn’t done intentionally. As a judge I had no clue of an applicant’s ethnicity, appearance, or with which affinity group they identify, unless they state it in their bio, artistic statement, or any autobiographical pieces they may have included with their writing samples. Judges aren’t given specific guidelines. Speaking for myself, I was looking first and foremost at the artistic merit of the sample, then their publication history that might qualify them as a professional writer pursing a writing career in earnest and not just as a hobby, and their statement on why this residency would be beneficial to them.  Should the application be modified for future applicants and judges instructed more specifically to weigh race in the application process?  Maybe so. These are issues faced by every theatre organization with which I’ve been involved as a board member, every screenwriting contest I’ve ever judged, any college admission portfolio I’ve been asked to evaluate.  I can’t speak for Amtrak but I would suspect they’d be wide open to suggestions for best practices for how to improve the diversity of the judges as well as the applicant pool.  Feel free to shoot me any followups. Happy to talk more.

Jeff

Looking for the Pope in Philadelphia

On this overcast, blustery fall day I made a lone pilgrimage on foot two miles from my South Philly home to Center City for a chance at glimpsing Pope Francis, “the people’s Pope,” in person.  All the way up Broad Street, Army or National Guard soldiers — I’m not sure which — in green fatigues hung out casually in pairs on every other street corner. They’d been there since last night but I’m not sure why as no Papal events are planned this far south and barely a soul was out. The city seems apocalyptically deserted.

Click to enlarge photos.

Eventually I came to barricades personed by police and military at every intersection to keep out vehicles but as a pedestrian I could pass freely. Finally, just south of City Hall, I reached one of the security entrances to the main event.  The lines were much shorter than I anticipated, and much friendlier.  Soon I was inside the secure zone.

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Although I’m not Catholic and have serious disagreements with the Catholic Church and its checkered history, the Pope is a major historical figure and he’s right here in my town so naturally I wanted to be a part of the event.  Like all these visitors from around the world I was one more gawking pilgrim eager to see “the people’s Pope” in the flesh.

Crossing Love Park I got my first glimpse of one of the Jumbotrons, on which the Pope was just starting (continue reading…)

Paige Neeley as Daisy and Brandon McCoy as Zoran. Photo via The Richmond Register.

I was flattered to hear that my play Tesla’s Letters , which world premiered Off Broadway to rave reviews in 1999, is in production at Eastern Kentucky University, directed by Jeffery Boord-Dill. Break a leg, y’all.

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Sydney Marks at Biljana And Baxter Wilhelm as Dragan. Photo via the Eastern Progress.

Regarding my screenplay LITTLE ROCK and the book I’m adapting it from, I’ve been researching Copy and Lawrence for about a year and a half now, partly at the Copy Berg Papers manuscript archive at the New York Public Library research library and also digging through some of Copy and Lawrence’s belongings with the help of his sole heir and executor Steve Kelly​.

I also had the pleasure of knowing Lawrence a bit and working with him briefly once, long before I knew he was that Lawrence Gibson, as he was a humble and quiet man. Here’s a youtube video I put together that involves a looping slideshow of about 20 pix I took along with a 1979 WBAI interview I found on an old cassette of theirs. I highly recommend you learn more about these true heroes who launched the opening salvo in the gays in the military movement.

Terri Schiavo

Back when the infamous Terri Schiavo case was running at full throttle with Jeb and George Bush and a lot of other men sticking their  paws into her dead brain and playing politics with her corpse I wrote a short, satirical play about it called Lady in a Box which was performed at Chashama in Times Square and featured downtown performance artist Michael Weiner. After that I kept getting requests from people wanting to produce it in evenings of short works, including from my friends at Eastcheap Rep Theatre Ensemble.  I then adapted it into an award-winning short screenplay, then a short film in 2006 which I directed starring Mississippi Masala‘s Sarita Choudhury (currently Mira Berenson on Homeland), John Lordan, Luke Rosen and Sean Hayden and which aired around the world.

Marlise Munoz

Here we go again and again in 2014, this time with Mrs. Marlise Munoz in Texas and a 13-year-old girl in California who I won’t name here.  May they rest in peace.

As the vultures, mostly men, pick and peck over their corpses — over ownership of these women and  girls who can’t speak for themselves  — I’m reminded of what inspired me to write Lady in a Box in the first place and make a little movie of it eight years ago. Enjoy the trailer–

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The full 15-minute short is available here.

[photos via Dallas Morning News and wikipedia]

(News Flash: Jeffrey Stanley’s BONEYARDS reincarnates in Philly this June at the Art Church of West Philadelphia as part of the 2015 SoLow Fest. Tickets and full details here.)

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Enjoy these 16 images I took in January, 2013 at the Tibetan Refugee  Self-Help Centre in Darjeeling, West Bengal, India in the foothills of the Himalayas just over the mountain from Tibet.  And if you support the idea that it’s time for China to get out of Tibet and leave the people and their natural resources alone then feel free to share the images with others.

Tibetan Refugee Self-Help Center Orphanage

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Welfare Center for Tibetan Children

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"Welfare Centre for Tibetan Children, donated by National Christian Council, Aug. 1963

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Refugee Centre Store

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Workshop where some of the handicrafts are made that are sold in the store.

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Your purchase will help the people of this centre; our products are not sold outside shop.

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This site of 3.8060 acres is the gift of The American Emergency Committee for Tibetan Refugees, September 1964. Save Tibet.

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Original site of the centre started in October 1959 with four workers and two rooms.

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Intro to the Tibetan Buddhist prayer wheels on the premises.

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Om Mani Padme Hum (or hung)

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Prayer wheels.

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Refugee handicrafts worker.

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More refugee handicrafts workers.

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Another refugee handicrafts worker.

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Rug in progress.

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Rug in progress.

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Thank You God!

I take back all those bad things I said about You.