Jefe's House

Tag: boneyards press

Supernatural Skeptics Don’t Know What They’re Missing

by on Oct.31, 2013, under The Press, The Sixth Boro, The Truth Is In Here, Theatre

wapobanner2October 31, 2013

These ghosts are primed and ready to provide a ghoulish Halloween.

These ghosts are primed and ready to provide a ghoulish Halloween.

On Faith

Supernatural Skeptics Don’t Know What They’re Missing
by Jeffrey Stanley

I try contacting the spirit world before live audiences to keep an element of hope simmering on the back burner of my mind.

I like Ouija boards. I’ve used them since I was a teenager.  More recently I’ve messed around with electric spirit boxes, also known as Frank’s boxes after their inventor Frank Sumption.  They’re radio receivers which allow you to listen to and record voices of the dead, also known as EVPs (Electronic Voice Phenomena) or Raudive voices, after one of their early discoverers.  Over the past two years I have frequently used Ouija boards and spirit boxes in my performance art, attempting to conjure up the dead as my co-stars before a live audience.  At one of the universities where I teach playwriting and screenwriting part-time I am also the faculty adviser for a student-led paranormal investigation club.  Friends and fans assume I am a true believer but the truth is that I am not.  I am a healthy skeptic.  And that’s depressing for me because it means that on some level I feel certain there’s nothing out there. I try contacting the spirit world before live audiences to keep an element of hope simmering on the back burner of my mind. (continue reading…)

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City Paper Review of Boneyards

by on Sep.11, 2013, under The Press, The Sixth Boro, Theatre

Terrific review by Paulina Reso in the City Paper.  Ha, can’t argue with her about the final stage of the show.  I know from past experience that when you risk opening a scripted entertainment up to the chaos and randomness of a seance for a few minutes anything could happen — and sometimes very little.  Too bad she wasn’t there for the Ouija board fireworks last night.  And I’m not sure how switching  from talking to singing and playing a guitar before launching directly into more talking could be construed by anyone as a water break; that would truly be a supernatural feat. This show is wall to wall mouth, baby.  Read on…

Fringe review: Boneyards

By Paulina Reso
09/11/2013

WE THINK: With its penchant for the paranormal and its autobiographical focus, Jeffrey Stanley’s one-man show could come across as overly strange or egotistical, but his charisma and fascinating tales from the crypt kept it on track. Staged in a musty, 118-year-old cellar in Shivtei Yeshuron-Ezras Israel, a historic South Philly synagogue, the show began with Stanley performing George Jones’ country hit “He Stopped Loving Her Today,” which, his tender rendition revealed, is a lovelier song than I had originally thought. But we in the audience weren’t sitting in a damp cellar, squinting our light-deprived eyes at a barefooted man with a painted face to get a lesson in music appreciation. We were here for a taste of the macabre, and Stanley didn’t disappoint. CONT’D at citypaper.net>>

 

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Boneyards a Festival Pick

by on Sep.10, 2013, under The Press, The Sixth Boro, Theatre

Down in the little shul’s coal cellar join Jeffrey Stanley for performances of his “metatheatrical monologue” that “resurrects and converses with the cadaverous,” from Laurel Hill to ancient Greece.  CONT’D at planphilly.com>>

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BONEYARDS City Paper Preview

by on Sep.05, 2013, under The Press, The Sixth Boro, The Truth Is In Here, Theatre

BONEYARDS is back from the dead to rock your underworld.  Four new post-Fringe shows in October just in time for Halloween. 10/17/13, 10/20, 11/2 and 11/3. Only 20 seats per show, get ‘em before they’re gone.

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Blood, guts and experimental theater

by Shaun Brady, 09/05/2013

“… Maybe it’s the darker sensibility of an audience primed for avant-garde theater, but Fringe is second only to Halloween in terms of people being ready to buckle down and open their minds to horrific subject matter … Jeffrey Stanley had little need to seek out horror films or literature as a child: He grew up next door to a funeral home in rural Virginia. ‘My bedroom window looked directly into their embalming room and they never closed the curtain,’ Stanley recalls. ‘So at night I’d go up there and watch, and I could see the body laid out on the slab. For whatever reason it never scared me; I thought it was fascinating.’

That’s one story Stanley will recount in Boneyards (Sept.8-17, Shivtei Yeshuron-Ezras Israel), the one-man semi-sequel to his 2011 Fringe hit Beautiful Zion: A Book of the Dead. The show takes place in the basement of a century-old storefront synagogue and, for its final performance, at Laurel Hill Cemetery … As in Beautiful Zion, Stanley will conclude with a Ouija board séance, a habit he began at a teenage New Year’s Eve party. ‘We were sitting around the kitchen table in the dark and crazy things started happening. We’re all convinced that by the end of the night we spoke to Jimi Hendrix, he possessed my friend’s kitten and made it pluck his guitar strings.’

Stanley insists that his obsession, like so much horror fiction, has a cathartic side. ‘As dark and macabre and creepy as it is, I hope it’s ultimately life-affirming. In the end it’s about loving life and taking away some of the fear of death that we have in our culture.’”  full story at citypaper.net>>

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Jeffrey Stanley, Boneyards rehearsal 9/3/13

And don’t forget to watch and listen to this historic first: a casting call for the dead.  The first round of open auditions for the spirit world was held in the 1895 coal cellar using the famed  P-SB7 AM/FM scanner for listening to EVPs.  Here are the results.  No tricks, no jokes. The transcript is also included along with a few afterthoughts but watch the video first.

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