Tag: cara blouin
Cara Blouin and the Art Church of West Philadelphia
The Body Horror Mini-Fest
2015 Philadelphia SoLow Performance Art FestivalAs long as you’re coming to see Jeffrey Stanley’s BONEYARDS (6/27, 6/28) why not make a night of it and also check out the rest of the exciting triple bill featuring work by Philadelphia performance artists Joseph Ahmed and Joy Cutler?
The Art Church of West Philadelphia
5219 Webster Street (MAP)
All shows are pay-what-you-can but individual reservations are required for each show, as follows:
7:30pm Joy Cutler’s ANATOMY LESSON
4:30pm Joy Cutler’s ANATOMY LESSON
6:00pm Joseph Ahmed’s I JUST WANT JOSEPH TO BE WELL
7:00pm Jeffrey Stanley’s BONEYARDS
As is always the case for me with a new Boneyards venue, I’ve done a little pre-show ghost reconnaissance. Amazing otherworldly video and transcript below. They’re there and they’re waiting for us.
“Hi folks, Jeff Stanley here … 3 shows coming up on the 19th, 27th and 28th of June. 5219 Webster Street in Philadelphia.
And of course one thing I need to do is see if there’s anyone here with us. And you know what I’m talking about. I have here as usual a P-SB7 Investigational TransCommunication Research Device for listening in on voices of the dead.
I understand this place was built in 1925 and was originally a private residence. It has now been made into a performance space.
250 milliseconds, I’m doing FM, scanning reverse …
Is there anyone out there who’d like to talk to us today?
You might want to go on foot. (I’m taking this as a hostile spirit telling me to get the hell out but as usual there are multiple competing voices vying to be heard.)
If there’s anyone here who would like to audition and be in the show with me …
No clue. (presumably no clue what the I’m talking about regarding a show, auditions, and this weird device in my hand).
…you gotta really belt it out.
Not me. (a shy one but three hams are coming up)
I need you live onstage with me during the show. We will be making an earnest attempt to reach out and contact you. About 20 audience members and myself. Is there anybody out there who’d like to say hello today?
Might sing some. (Perfect, I sing three songs during the show so let’s make them duets.)
I like it.
Can you say my name?
Jeffrey Stanley … dialed us in.
If you’d like to tell us anything else — if you’ve lived here for awhile? are you happy that this place is now the Art Church?
I don’t know … Brand new things. (the building has been entirely renovated so indeed it’s full of brand new things, especially the kitchen which was in full view)
Okay we shall see. Thanks a lot, Iook forward to seeing you all at Boneyards coming up on June 19th. Thanks a lot, take it easy. Bye bye.
There you have it, folks.
I’m also thrilled that Boneyards is sharing a triple bill with Joy Cutler’s Anatomy Lesson and Joseph Ahmed’s I Just Want Joseph To Be Well as part of the Body Horror Mini-Fest produced by Cara Blouin.
Friday 6/19 at 9pm
Saturday 6/27 at 9pm
Sunday 6/28 at 7pm.
All seats $10. Mark your calendars and stay tuned for reservation details.
These performances will be part of the Body Horror Mini-Fest including solo shows by Joy Cutler and Joseph Ahmed, produced by Cara Blouin.
In the meantime if you missed my two-hour Coast to Coast AM With George Noory appearance last month you can check it out here.
Many thanks for your continued passion and support,
The Bridal Salon reading series at The Painted Bride
presents a developmental reading of Jeffrey Stanley‘s unproduced play Virginia Dare at 7pm on Wednesday, February 26th in Philadelphia.
The Bridal Salon is a play-reading series created to support the ever growing Philadelphia theater community. Actors, directors, playwrights and theater enthusiasts can all benefit. This year, local artist Cara Blouin brings in trained new play adjudicators to each reading, providing feedback critical to the writing process. The entry fee for audience members is Pay What You Can.
Come and check out Jeffrey Stanley’s latest and nail him to the wall with your comments on this haunting Appalachian drama.
230 Vine Street
Philadelphia, PA 19106
Join us this Saturday 8/11/12 at 3:00 and 6:00pm on Drexel University’s mainstage for the presentation of seven short plays written by local playwrights aged 7-13 in the first annual Mantua Theater Project, the brainchild of Drexel Performing Arts faculty Nick Anselmo (left).
Seven creative youngsters joined forces with a gaggle of Philadelphia theatre professionals (including yours truly) to create original works for the stage. The result is an evening of talking hamburgers, fairy doctors, cheetah painters, floating eyes, and more.
WHEN: Saturday, August 11; 3PM and 6PM.
WHERE: The Mandell Theater at Drexel University, 33rd and Chestnut Streets, Philadelphia
Please note that there are TWO shows, a 3PM and 6PM. Come help pack the house to create a truly memorable experience for these kids and their families, and see some hilarious, poignant shorts.
The Hero, The Criminal, and The Butler
By Ameenah C.
Directed by Cara Blouin
Featuring Alex Blouin and Tim Rinehart
One Hundred Year Old Thousand Legger
By Brenda C.
Directed by Damon Bonetti, dramaturged by Gerre Garrett
Featuring Reuben Mitchell and Adam Altman
By Ammarava M.
Directed by Nick Anselmo, dramaturged by Jeffrey Stanley
Featuring John Turnbach and John VanZelst
The Taco Who Was Afraid of Dogs
By Nadiah M.
Directed by Nick Anselmo, dramaturged by Tim Martin
Featuring Bi Jean Ngo and Laurel Hostak
Tyree and the Amazing Hamburger
By Saabir D.
Directed by Josh Browns, dramaturged by Greg Romero
Featuring Langston Darby and Bi Jean Ngo
The Day Without Respect
By Vanessa B.
Directed by Charlotte Northeast, dramaturged by Laurel Hostak
Featuring Adam Rzepka and Melissa Connell Cassara
Tara Loves Billy
By Alexis M.
Directed by Adam Immerwahr, dramaturged by Rachel Gluck
Featuring Charlotte Northeast and Mark Watter
Also featuring John Lopes.
Hope to see you there.
Pardon My Invasion
Through Nov. 19, $15-$20, Plays & Players Theatre, 1714 Delancey Place, Philadelphia
by Mark Cofta, City Paper
Smart and silly, Joy Cutler’s Pardon My Invasion receives an impeccable première by director Cara Blouin in Plays & Players’ 50-seat studio. Emily Gibson plays Penny, announcing, “There’s a man inside me.” Soon soldier Pvt. Mac takes over, requiring Gibson to play him trapped in a teen girl’s body, accomplished brilliantly. Pulp fiction writer mom Jennifer Summerfield copes not only with Penny’s boyfriend (Julian Cloud) and a curious cop (Theresa Leahy), but imaginary characters from her fiction and CONT’D AT CITYPAPER>>
Review: Pardon My Invasion
by Wendy Rosenfield, Philadelphia Inquirer
So here’s a real surprise: On the third floor of Plays and Players Theatre, there’s a world premiere by an under-the-radar local playwright — Joy Cutler — filled with amateur actors, directed by a relative newcomer. All outward signs indicate a hot mess; instead, it’s a blast.
Cutler’s oddball black comedy, Pardon My Invasion, features an AWOL Iraq war soldier hiding, Exorcist-style, inside the body of Penny, a 13-year-old American girl whose single mother Rita (Jennifer Summerfield) writes pulpy detective novels for a living. And that synopsis only covers the first few scenes.
Last season, director Cara Blouin created Dan Rottenberg Is Thinking About R@ping You, a sharp comedic, feminist response to the Broad Street Review editor’s article blaming CBS News reporter Lara Logan for her own sexual assault. Blouin’s the right woman for this job too, blowing up Cutler’s surreal take on sexual politics into Roy Lichtenstein territory with big, bright cartoons whose primary-colored confidence threatens to either saturate the mere mortals around them or smother them.
The Army, particularly tough-as-nails moustachioed Sarge (Joe O’Brien, who literally somersaults onto the stage and maintains that momentum throughout), teaches men to kill or be killed; Rita’s novels show women, particularly her main moll Honey Babe (an outrageously busty, lusty Angela Smith), as red-dressed, red-lipsticked carnal dynamos.
Meanwhile, Rita and Penny — along with that body snatcher, Pvt. Mack Jack (Emily Gibson, both vulnerable and hilarious in each role) — exist much further down the charisma spectrum, sorting through their own CONT’D AT PHILLY.COM>>
If you were a private in the army and went AWOL in Iraq, where would you hide? In the body of a teenage girl, of course.
Plays & Players is presenting the world premiere of Joy Cutler’s Pardon My Invasion, an adult dark comedy about Private Malcolm Jack and his residency in 13-year-old Penny’s body. Penny’s mother tries to lure Jack out, and what follows is nothing but pure, rowdy fun.
Naturally, casting Penny/Private Jack was no easy feat. “This city [has] an amazing abundance of quality young female performers — but to find one that can be a 13-year-old girl going through puberty and a [twentysomething] male full of the bravado and the pain necessary to represent a soldier, well, it was no easy task,” says artistic director Daniel Student. “Emily Gibson has both the natural instinct to take on both of these characters.”
Plays & Players has been heralded in Philadelphia Magazine’s Best in Philly issue twice in a row, and this is the fourth year in a row the theater is featuring the world premiere of a local playwright. “It feels that each year we are able to stretch our CONT’D AT CITY PAPER>>