Four Pairs of Sandals as an Act of Faith
Walking a mile in another man’s shoes leads to kismet
by Jeffrey Stanley
Three years ago I got married to my wife Bidisha in a traditional Hindu Bengali ceremony in Kolkata and spent three weeks touring the country. I bought a pair of sandals there which I wore throughout my trip and back home here in the States. This December my wife, our young son and I went back to India for a month to visit relatives. I brought my well-worn “India sandals” with me. A week into the visit they broke irreparably and I tossed them. The location of their demise seemed appropriate — from India they had come and to India they would return. The next day while we were out sightseeing we stumbled upon a tiny shoe store, one of a zillion in Kolkata, where I found the perfect pair of replacement sandals. They were simple but unique enough that they suited me as a souvenir.
A few days later I struck out on my own for a sightseeing visit Nakhoda Masjid, the largest mosque in Kolkata, built in 1926. A billboard told me with no intended irony that this was Road Safety Week in India. Still the taxis, auto-rickshaws and pedestrians were up to their usual danse macabre.
After a requisite insane cab ride and a short walk down a crowded, narrow street full of screaming sidewalk merchants selling Muslim prayer rugs and other Islam-themed souvenirs I found the mosque. It was sparsely populated at that late morning hour. The (continue reading…)
Richard Poplak’s quick-witted survey of U.S. pop culture throughout the core of the Muslim world functions as a meaty, detail-laden addendum to Lipstick Traces, Greil Marcus’s famed pop culture book. The latter claims to be a secret history of the 20th century, but nearly forgets that everyone has had a 20th century, not just a subculture of white people worshipping at the feet of Johnny Rotten and Malcolm McLaren. Punk rock is hard to take as anything other than really good rock-and-roll, and its so-called “philosophy of negation” is hard to take seriously when the music’s chief adherents are a bunch of white, middle-class kids shocked to discover that society is hypocritical. Really? It is?
The Sheikh’s Batmobile takes a step in the right direction, focusing on how U.S. pop culture, especially punk, heavy metal, and hip-hop, impacts upon and co-mingles with the cultures of the Middle East. The author is a Canada-based, white, South African journalist and director of music videos and commercials; he has a particularly keen eye and ear for the U.S.’s cultural influences, having been raised on a full diet of it himself.
During his two years of travels, Poplak dines with the Muslim world’s top CONT’D AT BROOKLYNRAIL.ORG>>
[image via richardpoplak.com]