Jefe's House

Tag: ouija board

Murders. Suicides. Embalmings. Divorces. Hauntings. Hilarity ensues.

by on Jun.02, 2015, under The Sixth Boro, Theatre

Don’t miss my autobiographical stand-up tragedy Jeffrey Stanley’s BONEYARDS while it’s at the Art Church of West Philadelphia as part of the 2015 SoLow Fest.

Friday 6/19 @9pm
Saturday 6/27 @9pm
Sunday 6/28 @7pm

Book now.

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The Changing Light at Sandover

by on Apr.12, 2015, under The Press, Theatre

newyorker-logoAwesome timing from this week’s New Yorker, a review of a new biography of James Merrill by Langdon Hammer.   Merrill’s a major influence to the point that I’ve often made mention of him in my Boneyards and Beautiful Zion playbills and many times here on my blog in reference to those shows. I got a good look at his homemade Ouija board when I was a Copeland Fellow at Amherst College back in 2001 (it’s in the college library’s archive) and I urge all poetry fans or supernatural fans to settle into his epic poem The Changing Light at Sandover sometime.

James Merrill’s Supernatural Epic

A trust fund, a Ouija board, and an unprecedented poem

merrill

 

by Dan Chiasson

“…And Ouija boards: Merrill made the most ambitious American poem of the past fifty years, seventeen thousand lines long, in consultation with one. The result, “The Changing Light at Sandover,” was a homemade cosmology as dense as Blake’s…”  FULL ARTICLE HERE

 

 

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Blast From the Timeline

by on Apr.12, 2015, under The Sixth Boro, Theatre

According to an automated Facebook message I received this morning I posted this picture 4 years ago today on 4/12/11. I decided to check my blog for that date as well and yep, this was about to happen:

beautifulzion

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Murders. Suicides. Embalmings. Divorces. Hauntings. Hilarity ensues.

by on Feb.20, 2015, under NYC, Theatre

Don’t miss my stand-up tragedy Boneyards while it’s in NYC at the Morbid Anatomy Museum.

Friday 2/27 @8pm.

Last chance to book now.

 

 

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Boneyards: The Wienering

by on Jul.08, 2014, under NYC, The Sixth Boro, Theatre

There’s a little taphophile in all of us


After a highly successful world premiere in the 2013 Philly Fringe in September and an extended post-Fringe run in the fall, Jeffrey Stanley is back with Boneyards: The Wienering is back this summer 2014 and features a special guest appearance by acclaimed New York-based performance artist Michael Wiener.

Very limited seating
$10 tickets here

Shivtei Yeshyuron-Ezras Israel Synagogue
(doors open 45 minutes early to allow the audience time to wander the 3 floors of this 119-year-old storefront synagogue before descending to the cellar)
2015 S. 4th Street
Philadelphia, PA
2 blocks north of Snyder Avenue


Press Contact:

info@shiva3.com

7/8/14 – FOR IMMEDIATE RELEASE

P hiladelphia, PA – The ongoing seance-as-theatre experiment continues.  After a highly successful run in the 2013 Philly Fringe and a post-Fringe extended run last fall, Jeffrey Stanley’s BONEYARDS is back from the dead to rock your underworld for 2 performances in late July. Come in from the heat and peacefully rest in a cool, dark, coal cellar.  Same autobiographical, spooky show, same mouldering location, same real ghosts, but now featuring a visit from New York’s quirkiest experimental performance artist Michael Wiener who will be sharing the crypt with the show’s creator Jeffrey Stanley.

(continue reading…)

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Supernatural Skeptics Don’t Know What They’re Missing

by on Oct.31, 2013, under The Press, The Sixth Boro, The Truth Is In Here, Theatre

wapobanner2October 31, 2013

These ghosts are primed and ready to provide a ghoulish Halloween.

These ghosts are primed and ready to provide a ghoulish Halloween.

On Faith

Supernatural Skeptics Don’t Know What They’re Missing
by Jeffrey Stanley

I try contacting the spirit world before live audiences to keep an element of hope simmering on the back burner of my mind.

I like Ouija boards. I’ve used them since I was a teenager.  More recently I’ve messed around with electric spirit boxes, also known as Frank’s boxes after their inventor Frank Sumption.  They’re radio receivers which allow you to listen to and record voices of the dead, also known as EVPs (Electronic Voice Phenomena) or Raudive voices, after one of their early discoverers.  Over the past two years I have frequently used Ouija boards and spirit boxes in my performance art, attempting to conjure up the dead as my co-stars before a live audience.  At one of the universities where I teach playwriting and screenwriting part-time I am also the faculty adviser for a student-led paranormal investigation club.  Friends and fans assume I am a true believer but the truth is that I am not.  I am a healthy skeptic.  And that’s depressing for me because it means that on some level I feel certain there’s nothing out there. I try contacting the spirit world before live audiences to keep an element of hope simmering on the back burner of my mind. (continue reading…)

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Boneyards Final Shows This Weekend

by on Oct.30, 2013, under Shaheb Cafe, The Press, The Sixth Boro, The Truth Is In Here, Theatre

Come wake the dead.  BONEYARDS returns for 2 final shows this Saturday and Sunday 11/2 and 11/3 in Philadelphia.  Times and tickets.

Meanwhile please enjoy my latest article in today’s Washington Post about my theatrical experiments in contacting the dead as performance art over the past two years.  Thank you for your support and patronage, and Happy Halloween.

wapobanner2October 31, 2013

On Faith
Supernatural Skeptics Don’t Know What They’re Missing
by Jeffrey Stanley

I try contacting the spirit world before live audiences to keep an element of hope simmering on the back burner of my mind.

I like Ouija boards. I’ve used them since I was a teenager.  More recently I’ve messed around with electric spirit boxes, also known as Frank’s boxes after their inventor Frank Sumption.  They’re radio receivers which allow you to listen to and record voices of the dead, also known as EVPs (Electronic Voice Phenomena) or Raudive voices, after one of their early discoverers.  Over the past two years I have frequently used Ouija boards and spirit boxes in my performance art, attempting to conjure up the dead as my co-stars before a live audience.  At one of the universities where I teach playwriting and screenwriting part-time I am also the faculty adviser for a student-led paranormal investigation club.  Friends and fans assume I am a true believer but the truth is that I am not.  I am a healthy skeptic.  And that’s depressing for me because it means that on some level I feel certain there’s nothing out there. I try contacting the spirit world before live audiences to keep an element of hope simmering on the back burner of my mind. CONT’D>>

And also out today from Drexel University a story about the PIG of which I’m the proud faculty adviser…

drexelnow_overDrexel Paranormal Investigators Haunted by the Unknown
by Alissa Falcone
…It doesn’t hurt that the group’s faculty adviser also has an interest with the undead: By day, Jeffrey Stanley teaches classes in the Westphal College of Media Arts & Design’s Screenwriting and Playwriting Department, but at night he transforms into undead residents of cemeteries from all over the world during “Boneyards,” his performance that imagines supernatural comic monologues.CONT’D at drexel.edu>>

 

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Jeff Scratch Fever on 1/12

by on Dec.28, 2011, under The Press, The Sixth Boro, Theatre

I’m thrilled to have been invited to give a brief performance followed by Q&A at Philadelphia Live Arts‘ first ever Scratch Night at the Live Arts Brewery (LAB) on Thursday, January 12th at 7pm and I would love to see you there.

Scratch Night invites audiences into the artistic process and plays a key role for artists who are testing, experimenting and building new ideas.  I will present a portion of my 2011 Philly Fringe show Beautiful Zion: A Book of the Dead as I continue to develop it for future productions in Philadelphia and New York City.

You might know the show was originally staged in the nontraditional space that is the Blue Grotto, artist Randy Dalton’s blue-lit wonderland in the coal cellar of the 1851 former Friends meetinghouse that is today the Community Education Center in West Philly. I could have seated 40 but I capped it at 16 to keep it intimate and participatory for the audience:

My question is, how can the show be modified to be performed on a traditional stage without losing its magic and intimacy? How can it be performed not for a max seating of 16 but a max seating of 100?  Doable, or should this thing stay in the basement, wherever that basement may be? Come help me find out.

Read more at livearts-fringe.org

or at broadwayworld.com

or at Philadelphia Gay News.

 

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Philly Daily News commands thee to Beautiful Zion

by on Sep.02, 2011, under The Press, The Sixth Boro, Theatre

At the Fringe Festival, there are edgy venues that grip an audience

by Molly Eichel

“ONE OF THE most exciting aspects of the Fringe Festival — the unjuried, anything-goes companion to the Live Arts Festival — is when it draws audiences to places they’ve never been before and might never have a chance to go again, whether it’s a room in an unknown mansion or in the depths of a possibly haunted grotto.

The Blue Grotto

After the demise of a close relative who drank himself to death, Jeffrey Stanley became obsessed with communicating with the dead through Ouija boards.

Beautiful Zion: A Book of the Dead is a “real dark comedy” about the years he spent trying to talk to the other side. But how could all that eeriness (and humor) be conveyed in a traditional theater space? So the New York expat looked for a stage appropriate for the macabre elements of his decidedly funny show. He found the Blue Grotto in West Philly’s Community Education Center. It’s decked out in thousands of blue lights on light fixtures by artist Randy Dalton. Stanley equates it to a mad scientist’s laboratory. ‘It’s visually stunning, it’s creepy as hell, it’s in the cellar of an old building and it might be haunted,’ Stanley said, ticking off the reasons that the Blue Grotto is perfect for his piece.”

The Blue Grotto at the Community Education Center, 3500 Lancaster Ave., 8 p.m. Sept. 7-17, $20.”  Tickets and more info here.

Philly Daily News article cont’d HERE->>

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Live Arts Festival/Philly Fringe ready to buy its own building

by on Aug.28, 2011, under The Sixth Boro, Theatre

 

[reposted from philly.com]

by Howard Shapiro

“The actors are setting up shop, as are the dancers, comics, acrobats, clowns, musicians, and uncategorizable others — some from around America, others from across the sea, many from zip codes all over the area.  Every Philadelphia performance space is taken — as well as spaces not normally used for performance…It’s all in preparation for one of the nation’s powerhouse arts festivals…The Live Arts Festival/Philly Fringe — 16 days and nights of sometimes experimental and risky, sometimes outré and bizarre, and frequently striking work — opens Friday…For all its constant growth in audience-building, fund-raising, and mentoring performers, Live Arts/Philly Fringe – now a $2.6 million annual operation known to just about everybody as, simply, the Fringe…”  CONT’D AT PHILLY.COM>>

Tickets are onsale now for Beautiful Zion: A Book of the Dead.

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