Tag: south park street cemetery
DON’T MISS THE NYC PREMIERE OF JEFFREY STANLEY’S BONEYARDS AT BROOKLYN’S MORBID ANATOMY MUSEUM ON 2/27/15! DETAILS HERE.
A Shaheb’s Guide to Indiashaheb – (India; also saheb, sahib; from the Hindi and Urdu sāhab, master; from Arabic ṣāḥib, companion; participle of ṣaḥiba, to become friends) 1. formerly, a term of respect for any male landowner 2. formerly, a term of respect for white European men during the British colonial era 3. (modern) any white man
Assume with me for a minute that ghosts really are, without a doubt, real. The dead really can contact us. EVPs/Raudive voices/ghost box voices are the real deal. That said, it follows that it’s pointless to try and get any decent EVP’s in a cemetery. Why would ghosts be hanging around a cemetery full of strangers when they can go back to their still-living families or the places that were near and dear to them in life? Sure, cemeteries can be creepy and I’m not sure I’d enjoy traipsing around in one at night, but really my belief is that they are generally ghost-free.
Unless a particular grave or cemetery is historically believed to be haunted; then, it might be worth a look. Take the notorious Bachelor Grove Cemetery outside of Chicago which I plan to visit in March during my trek on the California Zephyr for my Amtrak Writers Residency. Or the Dennison family crypt in Kolkata’s South Park Street Cemetery, one of my favorite haunts in West Bengal, India. When I was last there earlier this month I took my trusty P-SB7 spirit box with me, the one I use live onstage in Boneyards, to check it out. (continue reading…)
Come wake the dead. BONEYARDS returns for 2 final shows this Saturday and Sunday 11/2 and 11/3 in Philadelphia. Times and tickets.
Meanwhile please enjoy my latest article in today’s Washington Post about my theatrical experiments in contacting the dead as performance art over the past two years. Thank you for your support and patronage, and Happy Halloween.
Supernatural Skeptics Don’t Know What They’re Missing
by Jeffrey Stanley
I try contacting the spirit world before live audiences to keep an element of hope simmering on the back burner of my mind.
I like Ouija boards. I’ve used them since I was a teenager. More recently I’ve messed around with electric spirit boxes, also known as Frank’s boxes after their inventor Frank Sumption. They’re radio receivers which allow you to listen to and record voices of the dead, also known as EVPs (Electronic Voice Phenomena) or Raudive voices, after one of their early discoverers. Over the past two years I have frequently used Ouija boards and spirit boxes in my performance art, attempting to conjure up the dead as my co-stars before a live audience. At one of the universities where I teach playwriting and screenwriting part-time I am also the faculty adviser for a student-led paranormal investigation club. Friends and fans assume I am a true believer but the truth is that I am not. I am a healthy skeptic. And that’s depressing for me because it means that on some level I feel certain there’s nothing out there. I try contacting the spirit world before live audiences to keep an element of hope simmering on the back burner of my mind. CONT’D>>
And also out today from Drexel University a story about the PIG of which I’m the proud faculty adviser…
Drexel Paranormal Investigators Haunted by the Unknown
by Alissa Falcone
…It doesn’t hurt that the group’s faculty adviser also has an interest with the undead: By day, Jeffrey Stanley teaches classes in the Westphal College of Media Arts & Design’s Screenwriting and Playwriting Department, but at night he transforms into undead residents of cemeteries from all over the world during “Boneyards,” his performance that imagines supernatural comic monologues.CONT’D at drexel.edu>>
Boneyards Reopens 10/17/13
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10/14/13 – FOR IMMEDIATE RELEASE
Philadelphia, PA –A real seance with real ghosts. But we don’t need to tell you that, you’ve already seen it. There are lots of Halloween events being promoted right now, especially of the big budget “haunted” house/prison/hayride/forest/valley variety with a cast of dozens of monsters/zombies/vampires/murder victims and we love those and patronize them as much as the next guy and gal every year, but why not consider something different for you or your friends eager to freak themselves out while also being profoundly moved on a spooky October night?
Transcripts and videos from previous shows are online for you and your colleagues’ perusal. We recommend you start here . You might also want to check out the first EVP recording made in the 118-year-old synagogue that is the show’s location when New York City playwright and Drexel University Performing Arts faculty Jeffrey Stanley held the world’s first ghost auditions. Stanley, who often writes about religion for the Washington Post, will be discussing seance as performance art in that publication later this month.
Performance dates are 10/17, 10/20, 11/2 and 11/3. Thanks for your consideration and for supporting independent theatre in Philly.
BONEYARDS is back from the dead to rock your underworld just in time for Halloween. Shiva3 is proud to announce the return of Jeffrey Stanley’s solo show BONEYARDS which was a hit in the 2013 Philly Fringe. The 80-minute show will again be performed in the dark, dank coal cellar of the century-old storefront Shivtei Yeshuron Ezras-Israel Synagogue, also known as “the little shul” (part of the June 2013 Hidden City Festival) at 2015 South 4th Street in South Philly near Snyder Avenue for 4 performances. Stanley’s solo show is a followup to his 2011 Fringe hit BEAUTIFUL ZION: A BOOK OF THE DEAD. Stanley is also a dramatic writing faculty at New York University Tisch School of the Arts and at Drexel University Westphal College of Media Arts & Design. He is a religion blogger for the Washington Post.
About the Show
A funeral for the living. A coming-of-age embalming. A suicidal decapitation by coal train. A cross-dressing hillbilly named Doodlebug. This metatheatrical, taphophilic, true-to-life monologue resurrects and converses with the cadaverous– (continue reading…)